Jonathan Richter

"Goliath" - Steve Taylor & The Perfect Foil
GOLIATH (Lyrics) We've been advised that you're not very nice, that you're telling the world you own us We hear you're saying that our season is through 'cause you've got to pay the devil his due KEEP YOUR NOSE UP ATTITUDE'S KING WHEN YOU GET HIT YOU WON'T FEEL A THING YOU'VE BEEN ON A ROLL PUSHING US AROUND HERE'S YOUR HIGH FIVE NOW YOU'RE GOING DOWN We're all aware that you don't play fair, but we're done trying to appease you You wanna run it like you already won it I think you've got amnesia KEEP YOUR NOSE UP...

Goliath – Steve Taylor & the Perfect Foil April 26, 2015

Some things we do for the money, for the happy cabbage, and some we do because of an itch. Jonathan’s long-time collaborator, Steve Taylor approached him to help promote a new record “Goliath,” and the itch immediately became evident. It had been a while since Richter had “fired up” the animation table, and this was the perfect opportunity to draw. A lot. Using his children as motion reference, Jonathan animated walk cycles traditionally, and then painted every frame of each…

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Thieves In The Law
Jailhouse Brewing's Russian imperial stout leaves a gigantic mark with it's 11.5% ABV, and this "Vory V Zakone" or "Thief By Law" towers over Red Square to make this point. As a member of Jailhouse's legendary "Solitary Confinement Series," the label for this beer was executed in the same technique as the others and recorded in timelapse for your visual consumption.

Thieves In the Law promo March 26, 2015

Richter recorded time-lapse of the charcoal rendering for the beer packaging for Jailhouse Brewing Company’s latest Solitary Confinement Series beer, “Thieves In the Law.” This promo finishes off with a transition to a cg rendering of the bottle.

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Scaling the Greenscreen
This is "Scaling the Greenscreen" by Jonathan Richter on Vimeo, the home for high quality videos and the people who love them.

Scaling the Greenscreen January 21, 2015

Jonathan wore many hats for the production of the independent feature,”Blue Like Jazz,” one of which was tackling a sequence that would have been too cost-prohibitive to shoot practically, on location. The scene involved the 2 principle actors, Marshall Allman and Claire Holt, rappelling from the top of a billboard atop a building at night, preparing to deface the ad on the billboard. The filmmakers went to a green soundstage at NuMynd Studios in Nashville, Tennessee and rigged each actor…

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